"Indian Jewelry do not make dark music to trip to; they make dark music to pack with you on spirit quests. Taking the bad acid freak-out aesthetic of fellow Texans the Butthole Surfers, and cutting it in with the droning electronic menace of Suicide, Indian Jewelry are the new robot shamans, projecting nano-bot visions on expansive wastelands and conjuring snippets of digitized desolation. On this, their debut LP, they display an impressive degree of sonic cohesion and daring. Their sound palette is jarring; vocals echo and delay toward incoherence, synthesizers are distorted to within an inch of overload, guitars are strummed and manipulated with distant indifference, and drums are banged on in primal communion or automated as hissing syncopated throbs."
Invasive Exotics (2006)
"In an age where psychedelic music is reduced to stylized reference, Invasive Exotics comes as a revelation; fevered and dreadful. Pushing further than any of their Texas-derived contemporaries (the Black Angels, the Secret Machines), Indian Jewelry have assumed The Lone Star State’s psych crown. So much more than a background to bong rips, the album impresses because Indian Jewelry are actually bold enough to deal with the comedown, wrestling fiercely with the darkness between perception and reality, the known and the unknown. It’s a trip in more than one sense."
Invade me, why don't you
Free Gold (2008)
"The new record is awash with swinging drone rock (it's not a paradox; just listen) and, like their contemporaries the Warlocks, they cobble together big noisy songs by kneading fuzz like the Jesus and Mary Chain in with sweet '60s girl pop, and adding a bit of Royal Truxian squalling for texture...The band brings some disparate sounds together to create an album that works really well as a whole, twisting and turning and even cavorting on a spacey trip to nowhere and everywhere."
Anza de L'Ader - Zabaya -
2 weeks ago