Listen to the Mothers of Invention's concert recordings from 1966 onwards and it's just trash. Musical bollocks of the most merely capable variety. Faust live? This is a different thing entirely. Like all the greatest Teutonic groups, Faust were brought up with middle-European dances and a staple of folk and tradition which was not 4/4. As a consequence, German bands could get far more complex than U.S. and British bands would ever dare and it still sounds rocking and crazy, rather than a bunch of Twee Smug Gits. Find an old Caravan,Man or Henry Cow LP for 50p somewhere and compare it with this. I'm joking of course.
Four years ago, I had dinner with a very successful journalist who told me that he'd had to review Love's "Forever Changes" for Q Magazine now that it was available on CD. Wow, I shouted. You lucky fucker! Yes, he said. But I know it so well I couldn't summon up any real energy, so I just gave it 8/10. "Forever Changes" is a dark achievement. Were it an ancient text or a document it would be hidden from view and spoken of in obscure circles, But because it operates through the medium of Pop Music, it gets tarts like said Journalist giving it 8/10. This is a classic case of a man sleepwalking through life.
So now I have to set to and tell you about the first Faust album, and I will not let you down. For a start, its a big 10/10. No, make that 11/10. It defies categories. It's a horrible noise. It's cut-ups to the Nth degree. Part of it is just like Frank Zappa's "Lumpy Gravy" (a funny bit, thank the Goddess.) It is super-gimmicky, syrupy in the weirdest places, and never outstays its welcome. But probably the strangest thing of all is just how good Faust sound when they are creating on the spot moments of rock'n'roll on the epic Miss Fortune. Here they transcend all studio trickery and here they come alive." - Julian Cope, KrautrocksamplerSo fucking good.
Goethe on and grab it